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| Kaleidoscope Friday, 01 September 06 |
 An exploration of ideas by Anne Wimsett using the senses of touch and sight to explore various media which convey images of imagination and memory. |
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| John Horne - Studio Paintings 1998-2006 Friday, 18 August 06 |
 This show brings together the studio work of painter John Horne from the last eight years. Using the basics of painting, mark making, colour and tone, Horne has painted single pieces in series, as diptychs and triptychs. |
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| iArt - Patterns, Places & People Friday, 04 August 06 |
| A contemporary approach to exploring perceptions of art in their environment through photography by students from ten Shepway schools. Commissioned by Shepway District Council and delivered by early career curators Danny... |
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| Star Child Friday, 21 July 06 |
 An exhibition in celebration of the work of the late Figgy Fox. From surrealist 'dreamscapes' to abstract works, this exhibition shows Figgy's mastery of colour and his ability to connect to the world of... |
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| The 'A' Team Friday, 30 June 06 |
 An exhibition of the exemplary works of A Level students from the Harvey Grammar School in Folkestone, this show is a celebration of all they have done and previews some of the next generation of Folkestone artists. |
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| Out of the Ordinary Friday, 16 June 06 |
| An exhibition of work in mixed media (paper and textiles) creating surprising forms across media boundaries to explore themes of natural growth and human regeneration. |
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| Parallel Worlds Friday, 02 June 06 |
| An exhibition of the latest work by Canterbury artists Sandra Pearson and Gillian White. Painting, photography, video, stitch and mixed media constructions. |
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| Matylda Blake Friday, 19 May 06 |
 An exhibition of black and white photography by Polish artist from the Baltic coast Matylda Blake. A mix of traditional photography and images printed on canvas. |
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| Agnosia Friday, 05 May 06 |
 An ambiguous collection of figurative paintings looking at visual contradictions between imagery and its chosen medium. The lush qualities of the oils disguise disconcerting hidden portraits. |
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| 35 Words Friday, 21 April 06 |
| Everything that excites Ruth no longer functions in its own time; she courts anachronism. There is an element of romance in her vision; objects, places, structures, are haunted by a memory and charged with meaning. |
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